Being able to print multi-page documents as a booklet in Sacramento 94278 by adjusting the print settings in any windows application is crucial. Make sure that you save the configuration shortcut for future use.
Booklet Printing Services in Sacramento Explained
For starters, if you’re looking for printing services in Sacramento 94278 you’ll probably save time, money, and headaches if you hired or called a professional or commercial printer in Sacramento 94278.
But, if you want to try and go for printing on your own, here’s what you should do:
First, open the print dialog box from the application where you are printing for most applications.
Click file and then print or press ctrl + P on your keyboard.
Select your printer from the drop-down menu or selection box and then click properties preferences or printer properties depending on the application.
C Hope Photography Video Business Card
Click the printing shortcuts tab select a printing shortcut from the list to use as a base. This is because the shortcut will not save correctly unless you have selected a previously created shortcut. If you’re having trouble with this process, make sure to contact your nearest Commercial Printer in Sacramento 94278.
Paper Quality with Booklet Printing Services in Sacramento?
Next, you’re going to want to click the paper quality tab and then select the paper size of the original document. Then, click the finishing tab and finally, click the print on both sides check box.
From here, it’s smart to click the booklet layout drop-down menu and then select a binding option change your page orientation if desired.
Let’s head over and click the effects tab followed by a click on the ‘print document on option’ and then select your paper size from the drop-down menu.
Adobe InDesign Tutorial - Booklet Layout For Print InDesign Tutorial
Moving forward, click the output tab from the staple drop-down menu, select fold and stitch to fold and staple the booklet automatically return to the printing shortcuts tab. At RushMyPrints – your areas best Printing Services in Sacramento 94278, we found that following these steps below really makes the process go smoothly for you.
Here we’re going to have you click save as type a shortcut name in the text field and then click OK.
One more time, you’ll have to click OK followed by selecting print in order to print fold and staple the Booklet Printing Services or documents according to your settings you desired!
Booklet Printing Services in Marketing For Sacramento
Booklet Printing Services throughout history, have been known to be very successful for marketing, educating and gaining awareness. Especially if you’re a startup company that needs a printing service right now.
Incorporate booklet printing into your marketing efforts for a sure way to get results.
Booklets Printing in Sacramento 94278 can help you to become an expert in your field.
When putting together your booklet or Bulk Order Printing Services, don’t for get to incorporate images because visuals are the best way to catch a customer’s attention.
Booklets help demonstrate your products and services making purchasing easy.
How’s it going everyone, Tom here, and fortoday’s video, i wanted to take a look at some of the commercial build surfaces thatyou can use as a top layer for your bed to print onto.
I mean, we all know that you canprint onto glue stick, regular hair spray and blue tape but what if you wanted somethingthat’s a bit more professional and repeatable? Well, let’s have a look, shall we?[intro] So in total, i tested six different surfaces,and they fall into two categories: Liquids and solids.
On the liquid side, we’ve threesolutions that you you can either brush or spray onto your bare bed surface, say, aluminumor glass.
In no particular order, those are 3DEez, a north American product that comesas a thick liquid that gets wiped onto your bed with a sponge and then dries to a semi-permanentlayer; the Spanish 3DLac, basically a branded type of hairspray; and the yet unreleasedAustrian Printafix Basic, another clear spray-on coat, but that one didn’t do particularlywell, so the manufacturer is actually delaying the launch to get it right.
And for the “solids”, i’ve also got three different types: Starting with the Coropadfrom Poland, a thin adhesive sheet that you could compare to something like Buildtak;Then we’ve got the american ZebraPlate and the new ZebraSkin, with the ZebraPlate actuallybeing a stand-alone build surface that you could also clip onto an existing bed and theZebraSkin with the same material, but as a thinner sheet with some 3M adhesive on theback; and, lastly, the PEI coated aluminum plate i got from Sven Krause from Germany,again being a completely stand-alone bed and he even included a silicone heater with it.
You can also get PEI as a sheet or film and stick that to your bed, which is what theLulzbot Mini uses.
So how does one test a bed surface somewhatobjectively? Well, my methods obviously included lots and lots of test prints.
Using the thesame set of gcodes, i ran six different tests on each surface.
I used what i think are thethree most common plastics these days: ABS, PLA and PET.
The ABS i used was some no-name,but decent natural ABS, printed at 245°, then white PLA from BQ, which is also nota super expensive filament, but prints marvelously at 215°, and lastly, as the PET of choice,i used genuine Taulman T-glase at 245°, which isn’t the most challenging type of PET youcould print, but makes for a good sample of what you would typically use.
And for each material, i ran a print with and without a heated bed, which, i mean, forPLA and PET is still something you might might want to do, especially on low-end printersthat are lacking a heated bed, but honestly, ABS onto a cold bed was just something i wantedto know if it was even possible in the slightest bit.
The temperatures for the heated bed,when it was used, were 60° for PLA, 70° for Tglase and 105° for ABS.
The ambienttemperature around and inside the printer was at a controlled 18° for each test, andthat was also the temperature i had the heated bed cool down to when i ran a “cold” test.
And the printer i used was my usual Mendel90 experimentation platform, which is a totalmess, but works extremely consistently, probably due to the fact that i know every nook andcranny of that printer by heart.
It has a Wade’s style extruder, an E3D v5/v6 bastardhotend, an inductive sensor to get that nozzle distance really consistent and it has no partcooling fan.
So on to the print parameters, and we shouldhave all the constraints covered that make this test run scientifically reproducible:And the test part, again, was chosen to be challenging, it’s a 100mm long, 8mm wideand 15mm tall stick that has a pointy tip on one end - this is probably # the worstshape you could torture any print surface with.
Because it’s so long, it will createenormous forces as the plastic cools, and the pointy tip tends to pop up first sincethe actual surface area it has to stick to the bed is smaller, but it’s still gettingthe full amount of force from the center of the part.
I printed this with a 0.
25mm layerheight, with the first layer bumped to.
4mm and a 1.
5mm width to reduce the effects anysort of misalignment would have.
2 shells, 4 solid layers on top and bottom, 20% hexinfill, printed at 60mm/s.
So you do still have some wiggle room if you haveto make a material work with a particular surface.
Okay, so how did the surfaces fare? The six different test prints for each surface turnedout to be like a linear progression - every surface handled PLA and PET onto a heatedbed beautifully, but some struggled with ABS onto a heated bed, some did horribly witha cold bed, but as soon as for example PET failed, ABS definitely wouldn’t work.
So let’s make our way through the individual surfaces.
Again, starting with 3DEez, whichpretty easy to apply with that sponge, but if you forget to wash it afterwards, you’llbe left with a useless brick and will have to find a fresh sponge.
3DEez is odorlessand if i had to guess what material this was, I’d say it’s like a polymer-filled PVAglue, but i’m probably wrong there.
It leaves a film that is very robust and can be usedfor many prints without reapplying.
It’s easy to touch up and easy to remove with somewarm water, as the entire film will completely turn to mush and you’ll be able to scrapeit off.
Acetone or alcohol don’t seem to attack the surface, so you can use those toclean it.
So how did it perform? Definitely better with a heated bed than without one.
All the heated prints turned out perfectly, but the cold PLA print already showed somewarping and PET or ABS onto a cold bed failed completely.
Moving on to 3DLac, which is applied by spraying it onto the bed.
And that makes it easy toget a nice, even layer on there.
You do need to completely wet the surface, just a thinwhisp of 3DLac won’t do.
Unfortunately, you do have to apply it outside of your printer,with the bed removed, or you are going to end up with something like this.
And it doessmell like typical hairspray, even more so if you heat the bed.
You do have to reapplyit before every print, a freshly applied surface will work best, but removing a print willalso tear off that spot of 3DLac from the bed.
To completely remove the 3DLac surfaceand start over, you can easily remove it with acetone.
But, i mean, for printing, it worksamazingly well, especially for cold prints.
The heated prints obviously all worked, buteven the cold prints with PLA and PET were surprisingly good.
Cold ABS still failed.
And as a bonus, since the 3DLac actually comes off the bed, large prints will often justpop off when they cool down after you give them a slight tap.
Now, moving on to the solids, starting with the Coropad: And just to get it out of theway, this thing is an absolute adhesion beast.
I did correct for the extra.
3mm of thicknessthe Coropad adds, but everything just stuck to it incredibly well.
Maybe even a bit toowell.
This surface is the only one i could see cold ABS printing happening with.
Adda bit of a brim and maybe print the first layer a bit hotter, and you could have somesuccess getting compact ABS prints out with no heated bed.
Cold PLA worked perfectly,cold PET showed some slight warp, but the really interesting tests are the heated prints.
Because each of them says “bonded” on the side, my remark for how easy it was toremove them.
The PET print even stuck so well that it broke in half and took a sizeablechunk of the CoroPad along with it.
So, maybe, reduce the heated bed temperatures even moreif you’re planning on using it, or just use it cold.
The Coropad in general also isn’tthe most robust surface, as it easily gets kinks and tears from removing stuck prints,especially since the adhesive on its back isn’t particularly strong, probably to makereplacing it easier.
But then again, it is the surface that i got absolutely the mostadhesion out of in the widest range of situations.
Next up, the Zebras, i tested the ZebraSkin,which uses the same material on the surface as the ZebraPlate, but is a good bit thinnersince it’s doesn’t have to hold its own weight as it’s going to stick to your yourbuild platform with the permanent 3M 468 tape on its back.
There is one disadvantage ofusing the ZebraSkin over the ZebraPlate, though, and that’s the fact that it’s incompatiblewith the standard 4mm sensing distance inductive probes.
It’s just thick enough so that thesensor won’t trigger, which, in my case, had the printer shoving the hotend into theZebraSkin.
The ZebraPlate has a few copper layers inside, which spread the warmth fromthe heated bed and also allow the probe to trigger.
It is a relatively sensitive surfacethat will melt when the hotend comes in contact with it, and i’ve routinely found the pieceof paper i use to set the nozzle distance tacked to the ZebraSkin in that spot.
However,it is thick enough to allow for a few sanding passes should you have worn out the top layer.
Adhesion was good for all materials as long as the surface was heated - since the ZebraSkinand Plate have a significant thickness, you’re also going to see a significant temperaturedrop from what the heated bed reads to what you’re actually getting on the surface.
The cold prints for PLA and PET showed a minute amount of warp, but were successful overall,while ABS onto a cold surface looks like it might work with a higher hotend temperatureand a bit of a brim.
And lastly, PEI.
It’s actually quite hardto tell that this bed is coated with a layer of PEI, which is chemically somewhat similarto Kapton.
It’s quite a hard surface coating when cold, but does get quite squeaky stickyonce it’s heated.
For the testing i did for this video as well as with the printingi’ve done on the Lulzbot Mini, i can say that PEI is an extremely robust coating andisn’t going to show any sign of wear in any time soon, even if you’re heavily usingit.
Sven Krause, the guy who made this PEI coated bed calls it a permanent printing platefor that exact reason.
By the way, that’s the same guy who sent me this insane watercooledhotend - and unlike that last one, this one is definitely going to work.
Since the PEIcoated bed, for me, is the entire bed setup minus the undercarriage, he also includeda beefy enough 200W silicone heater for this 16cm bed.
And the PEI works amazingly well- as long as it’s heated.
It’s completely useless when cold and then won’t even printPLA at all, but once it gets that temperature bump, it works beautifully with ABS and PLAand had the prints sitting completely loose once cooled down.
You just shouldn’t tryto print PET, because, for whatever reason, that did not stick at all, even when heated.
It should theoretically work, but at least for me, didn’t.
So do we have a winner that’s, like, the best surface? Well, no, not because they allsuck, but because they’re all good for their own specific use cases.
Pick the one thatfits yours best, but keep in mind that none of the surfaces can do any sort of magic andbend the laws of physics.
If you try to print in cold basement room, especially with anunheated bed, you’re going to get less adhesion than when you’re propping up your printerright next to the fireplace.
Which i wouldn’t recommend, by the way.
You can increase theadhesion with any of these surfaces by moving the nozzle closer to the bed, increasing thehotend temperature for the first layer or using a raft or a brim.
So i hope this comparison was helpful to you - let me know in the comments below this videoif i should do the same thing for the materials that weren’t originally intended as printsurface, like the common blue painter’s tape.
Some also say brown packaging tape workswell for some materials, but i’m not so sure about that.
If you liked this video, don’t forget to give it a thumbs up and share it, maybe you’lleven consider subscribing or supporting this channel directly by shopping through the Amazonor ebay affiliate links from the video description.
Thanks for watching, and i’ll see you inthe next one! Cheers!.
How to network at events without Business Cards
Also, studies show booklet printing is a successful and affordable way to reach an audience and gain their trust.
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And visit our Market Smarts Section.
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From programs to posters or booklets the sky is the limit with RushMyPrints in Sacramento
Most importantly, we are 100% custom and able to fulfill even the most complex projects. We are able to take your order and deliver Rush Printing Services in a jiffy.
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Why Should Startups use Rush Printing Services in Sacramento 94278?
today I've got some awesome tips for youguys when working Adobe InDesign and designing a photography booklet perfectfor print what is that people welcome back toSatori graphics the home of graphic design content right here on YouTube sotoday an InDesign tutorial because I know a lot of you guys wanted to seethis on my channel again if you have suggestions for videos in the futurethey'd be shy to pop a comment in a comment section belowso today is a tutorial on InDesign tips when designing photography booklet forprint on Thursday have some more nifty tips in Adobe Illustrator that youprobably don't know about and also I've got content on Friday lined up as wellbut anyway let's get into these tips when working with Debian design for ourphotography booklet layout on InDesign we need to make the correct documentfirst and foremost so choose print and then for my photography document I'mgoing to use a square layout I'm gonna make my document around 260millimeters by 216 millimeters the amount of pages that you're going toadd isn't too important right now because I'm going to show you how todelete and add pages later the default margins are fine and we want to add athree millimeter bleed to our document we can press the link icon to add thebleed around the entire book a document so here is our document for today'sInDesign tutorial I'm going to show you some neat tips on how to add pagenumbers across the entire document as well as some other tips later in today'stutorial we're going to add alt text and logo content in InDesign by seeing asit's the photography booklet we need to set up the imagery professionally inPhotoshop so in Photoshop make a document that isa square and the same size or larger than your InDesign document so I'm goingto use 216 by 216 millimeters you're going to want to make sure your imageryis 300 PPI and CMYK now this is essential and it's important you get itright we're going to need to import the photography into InDesign after saving ain Photoshop so simply apply your image onto the square canvas and then save theimage as a JPEG you want to use the highest qualitypossible-- and then go ahead and save into photography booklet folder a quick tip about working in designsometimes by default a new document is going to have a display quality on thescreen set to standard when in fact you've actually want to be using highquality as the setting used if you cannot see your tools open you can bringthem out into the screen here take the rectangle frame tool and create a boxacross your entire document like so including the bleeds I will leave thefirst page blank now because that's going to be the cover so check and makesure the box is perfectly up into the edges of the page and then this is goingto be the right page of the first double page spread on my photography booklet then take the white arrow tool and clickthe box and then go up to file one place locate the image and click OK you canthen arrange the image to fit the box perfectly I'm not gonna spend heaps oftime making my booklet look good today I just want to show you guys thetechniques and tips for making your very own box you can change the screen mode here tosee how the booklet will look after is printed and the bleeds are actually cutaway and you can also use the bleed mode here to see the bleeds off your documentto remember that the thin slice around the document that is actually the bleedis going to be cut away after printing so do not put any crucial content inthis more area if you want to add or remove pages you have various differentoptions under the Layout tab you can manually add multiple pages as well asremove multiple pages or you can add a single page automatically now I'm goingto show you how to save time and add a specific part of your design across theentire booklet and for this you want to have the pages window open which you canclick on there right here or you can go up to window in them pages at the topyou're going to see the master pages and if you double click the master pageswe'd then be taken to a double page spread basically whatever you design andplace on these two pages here is going to appear across the entire document sofor example you can add page numbers to do this we take the type tool and weclick and drag to make a type box then go up to type insert special charactermarkers and then page numbers you actually in fact have an A up here ifyou press command or control T you can bring open the typography window andthen you can set the size and the style of the a this a is automatically goingto turn into every single page number on your document by InDesign which you willsee now so go back to the pages window and then select your document with adouble click and you're never gonna notice that thepage numbers are now on your document however we only added one side as youcan see so go back to the master pages and then you start option key toduplicate da over to the other side make sure that is aligned and mirroredperfectly with the first one now head back to your document and you'll noticethat you have page numbers across all pages the one problem that you now haveis that as a page number on the front cover and it is not really one andyou'll find that you can actually move and edit this numberso hover the cursor over it and then press command shift and click on a Macor ctrl shift and click on a PC and you're now going to be able to edit moveand delete this page number I'm going to quickly lay out a cover page with asimple techniques in InDesign you can choose the foreground color here andthen take the rectangle tool you want to be able to see the bleeds so you canbring the background up to the bleed edge select Adobe Illustrator you candouble click the color palette and edit the color of the shape I will show youone way to import a high-quality back to logo we take the rectangle frame tooland draw in a square you can move it around into its centered then go up tofile on place as we did before with the photography locate your logo and thenclick OK you can then resize and send to yourlogo on a document so that it looks ideal you can also lower the opacity ofthe logo as we can in illustrator also it might help if you lock the backgroundlayer in place so it doesn't move around take the type tool and then create atext box I feel that InDesign has the most scope of editing typography of anyAdobe software out there and at the very top you'll notice very different waysthat you can edit your typography again I'm just showing you guys how to designa photography book little layout and InDesign I'm not gonna spend hours doingthis myself but when you do finally get to the point where it's finished you'regoing to need to explore your document for prints so go to file and export andthen to Tadoba PDF or print I choose a two-up cover page layoutwhich I feel is best for this kind of design the compression should be fine bydefault and in the marks and bleed section I tend to use most options butyou must use a document bleed settings most often the rest of these settingsare fine by default and any warnings are going to be posted in the summarysection once you actually export it you can then review your design in Acrobat so there was today's video designing aphotography booklet in Adobe InDesign I offered you guys some tips for yourworkflow in this program so let me know what you thought of the video in thecomment section below and of course if you did enjoy the content give it athumbs up and maybe even share on social mediaI'm super happy about the growth of my channel right now and getting all theseviews likes and subscribers is telling me that you guys are taking my contentand you're actually finding my videos useful in your graphic design workflowbut I'm always looking to improve so don't be shy to let me know what youguys want to see on this channel here at cetera graphics but anyway until nexttime design your future today peace.
Business Card Design Psychology | Adobe Illustrator | Part 1
Hey it's Dena Tollefson! Welcome tomy studio.
I'm so glad to have you here.
Hey today's topic is going to be reallygreat and I want to just say thank you for joining me.
I'm so pleased thatyou're here.
If you'd like to join in on the chat, I would love tointeract with you.
If you would like to just be quiet you know that works toothat's that's all really good.
So what today's topic is , is it's going tobe about business cards and marketing materials for artists.
When you talkabout business cards there are different different approaches.
One approach isthis- the approach that I use is I have my cards, and I'll just go ahead andhold one of them up, I have my cards professionally done.
I'veused Vistaprint and I've used Zazzle and another approach -and I have done thistoo - I'll be going through that with you today is oh end thank you forjoining by the way the other the other thing I'll be showing you is how to makeyour own cards so I'll talk with you about what to put on your card,why you would want to have a business card how to design it what to includewhat to leave off.
Sometimes what to leave off of the business card can bejust as important as what you put on and then the other thing to talk about wouldbe: little accessories- what kind of things that you can dowith your cards, who you might give your cards to, and why it's super important tohave those business cards.
So let's get started.
So I want to talk alittle bit first about about the cards themselves so a business card really isjust your calling card so what I do on mine, I have on the back here, I'vegot um- oh hey - art mystique yeah you can design your own also youcan design your own card and you can put your original art on it, you can putyourself on it, a picture of yourself is always a really great thing to include.
I'm gonna just start out by just I'm gonna actually you know what I'm going to do-let me stick this Kleenex box on here and see there that way that'll hold itreally well oh we don't have to actually hang on to it and it will focus a littlebetter and art mystique how are you doing by the way that's great okay allright and so um so how I do my business cards is on the back of the card, I willhave a close-up because my work is really super heavily textured.
I'll put aclose-up of one of my paintings on the back and then on the front of the cardso you can when you have your cards made you can either do them as one-sided ortwo-sided I try and take advantage of that back side and figure you knowpeople usually look on the back of it too.
So you're great and you justfinished a painting okay okay excellent excellent so and I'm are you gonna beposting that painting out on YouTube I will be looking to see what yougot when you when you post it.
So on these business cards what it's importantto do is the most important thing on that is your name.
You want to definitelyput your name.
And if you are using for example, an alias or some other thinglike that, a nickname something else like, that tryand include that.
So maybe you're gonna be like "I'm the mysterious painter" andthen it's also nice to have your actual name because that way hey Brenda you gotit posted it's a watercolor cat in polygons oh well that sounds neat that sounds super neat and hey Brenda good to see you by the way.
So on your card if youhave for example a nickname or you're going by a nickname when you're painting, it is a good idea to put your actual name- your full name: first name, and lastname, so that way when people are talking with you they know how to get ahold ofyou and or what to call you when they speak with you.
And the other niceadvantage of doing that is in case you ever change your nickname thenyour regular name should always be hopefully staying the same.
What I dowith my cards, is I also have a little what I'll calla little teaser or a little description and mine says contemporarycolorist oil paintings I include my address I have my studio phone numberand my cell phone number and then I have my email and my website.
Now when you'redoing your business cards, you can put many different things on your card Ihave a photo of me with my work, that's always a good thing.
When you give yourcard to someone it's very important that you somehow identify what it is thatyou're doing or what it is because people will collect business cards andthen they're gonna - and I'll just grab a piece of paper I'm gonna writethis on here so the things you want to include when people collect businesscards if they don't have some way of knowing who it is or what it is thatthat is on the card then they might be like oh I have this card and I don'tremember who this was so a super important thing is that you have yourname which is first and last you can put a middle initial if you like but um butit's it's just super important that you have and thank you all so thank you foreveryone who's joining and any I appreciate any likes that you givethat's always a nice thing - so first and last name are important and thenwhat you need to have so that just is just the bare minimum you can add moreon top of this but you need to have some type of an email address and- hey, ArtJourney With Swapna! Hoow are you? I'm glad to see you.
okay so youremail address so you have to have your name and that could be a nickname alsoif you have a nickname so your email would be so they can contact you andthen optional would be anything like your address your mailing address or howto get ahold of you that way your cell phone number any kind of info about what you doso info about your arch so let's say for example I was a fiber artist or a glassartist something like that then what I could do is I could say you know hereI've got contemporary colorist oil paintings online I could say somethinglike oh I'm oh it's good to hear that you're doingwell yes and it's I guess um it's probably late over by you right now thetime is probably late in the day over here by me it's only let's sayalmost one o'clock so information about your art that is optional to puton there now going back to website, let's say for example you don't have a website.
What could you put there instead? Well you could put your your personal websiteif you have that definitely put that there but you could also put yourFacebook your YouTube your Instagram snapchat anything like that you caninclude those of course on your card so people know how to find you where tofind you that kind of thing but oftentimes why you might be giving abusiness card is because either someone has purchased your art or you have metsomeone let's say that you met someone you know anywhere it's just about teno'clock oh yeah that is late that is late so so your your business card whenyou let's say that you go to a party and you meet someone and they find out thatyou're an artist what's always a nice thing to do is and I'll show you whatI've got here.
Hey ArtLife good to see you.
I saw you yesterday on on the streamwith with Eve so I have a little these little inexpensive card holders I carrythis everywhere in my purse but in case anybody asks then I can justwhip out my card and just hand them a card and that's super important to havethat and I also have I'll show you this little card holder that I use so this isa little I think this was like seven dollars or five dollars something likethat when I ordered my business cards then Iordered them and I got them and just I can have like a little display like thisso let's say for example that you're doing a event where some of your art sohey Chrissy and hey pencil glad to see you guys and also thank you for everyonefor your likes that you're giving it is important to have these little holdersand you can give these in case you have an art exhibit anywhere if you're in aart gallery there's some kind of an art venue where your work is being shownmaybe a restaurant a library anything like that if you have if you get theselittle holders which are easily available at like vistaprint.
Com or Zazzle I have boughtcards from both Vistaprint and Zazzle and wherever you're watching from there willalways be a place where you can buy your cards internationally you can buy cardslocally you can also have a print shop make up your cards but but these twoplaces for example Vistaprint and Zazzle it's super easy all you do is I uploadeda photo I you can choose your print your font you can put you know anything onthe back that you like and typically 500 cards are going to be really reasonablethey'll say like 500 cards for say $10 and it's hard to beat that now the onething is I usually don't ever get the least expensive option they have becauseI don't like the paper what I'll do is I'll get this is a thicker paper and soI'll do an upgrade for the paper and I'll do an upgrade for thethe the surface of the paper so I I want to have something and I am oh and thankyou for saying that yeah see and um and I think that byhaving something in detail because my work is super detailed I can include onthe back of my card something so people can see that Daubismtexture that I'm doing and and you know, shoot it's like the back part back ofthe cards available you might as well use it right and and so thank you Swapnaso I'm going to show you a little bit also of the other marketing materialsthat I use in addition to cards a woman will come back to the cards but here isa marketing brochure or not a brochure it's an oversized postcardso thank you Chrissy this is an oversized postcard that I made when Iwas exhibiting at a college and then I had on the back this was atwo-person exhibit this was in 2014 and so I had all the information on this butwhat I did is I sent these out to galleries that I was interested in and Ialso sent them out to let me get my envelope.
When you order the cards andI ordered the cards and envelopes from the same places.
okay and Chrissy thank you and Iappreciate that you're gonna watch the replay you're so awesome and thanks youguys and thank you for all the likes to by the way so this was a card that Idesigned and this is a painting a large triptych that I had let's see here whatsize is this 48 by 72 so a very large painting this painting ended up beingpurchased by hospital and then I had to add additional panels they wanted thepainting to be 10-foot wide so I was like the largest painting I'd ever donebut this Genesis Hospital in Rock Island Illinois they ended up purchasing the painting butanyway these cards what you can do is you can then get an envelope like thisand I'll just order the envelopes that they when you when you get thesemarketing materials like these oversize postcards then you can just includethose and then you just pop one of your business cards in there because whathappens is if if somebody sometimes people will you know they might not holdon to the card but they may hold on to your business card and what is on hereyou see I have my email address but all the rest of the information is reallyabout the venue and it's about the painting that's shown and so having theactual card then they can see oh here's how I can get ahold of the person here'stheir address and their website and then they're most importantly their email soif they want to get ahold of you and they've got that information and I'llshow you a couple other cards that I did so here's one I did for Canyon RoadContemporary Art who represents me in Santa Fe and this was a two-personexhibit that was done in 2017 with a fellow artist of my fellow artist Kari Rives.
she does a sculpture and then here's another one this was a my soloexhibit at Canyon Road last year and that was so I've got the information soyou can include the information about the venue the name of the gallery thename of the exhibit and then if it's a solo or a group show and then if there'san opening reception in this case there was an opening reception and so and thenhow long and I did a painting demonstration and then I was thereon-site and then I have information about the painting on the other side andthen information here about the gallery but you'll see that there's really noinformation on here about about me or how to get ahold of me so if I send thisfor example to a gallery the only way that they're going to know how to get ahold of me if they're interested in representing me is through thisinformation that I have on the business card so that is super important that youthat should get that and I'll show you one last card that I did this wasAdelman Fine Art,the gallery that represents my originals in San Diego andso this was a group exhibit and it was just a thing showing a little bit aboutyou know the dates that are gonna be held and then the gallery informationbut but again you can see I don't have really my website or anything elsethat's listed here this is just really all about the venueso that's why the card it's all about the card and then these cards againthese cards are really once you have them made and a little template made upthey're they're really easy to reorder or you can just make a new one each timeand then this was through I guess this was a Zazzle this one is Zazzle I thinkthis one is Vistaprint I had some return address labels made up.
Any time youhave an opportunity to put your art on the you know on somewhere and and you'reessentially building your brand but I'm using the same font everywhere and thenI've got as what I'm using also in the cards and then on the I'm including someof my art so here's that and then another one so that way when I'm puttingfor example on the envelope so I can brand it in different ways I can put andI'll just put one of them on now I can put in an address return address herelike so and then and then inside is going to be my card and then a show cardso this is the what I'll put in when I'm doing some materials if there's agallery that I have my eye on that I'm hoping might represent me then what I'lldo is over the years or a matter of months or years depending on how longI'm following them and I'll be sending them things like if I have a new showcoming up or thing like that so so back on the cardsnow that we've talked about how to do the cards so okay okay pencil I'm gladthis has been helpful.
Swapna hugs and kisses to you.
Pencil I am gladto hear that because you know you need to get your little pencil logo going ona card and you can I'm going to show you how you can use your own art so let's solet's get that out here let me show you what you can do if you want it to even aperson does not even have to go and go on to a computer and do this youliterally can do this also just individually and one by one and then thethought might be like okay if I've got a printed one why might I also want tohave one that's made by hand well you can see that the one that's made by handis gonna be so much more personal and it's gonna be unique and individual andit's sometimes nice if you have let's say that a collector bought your work oryou had somebody do something super nice what's really nice and a wonderfulgesture is that you can make your own business cards now I just just as anexample say this was a note from the last thing I did but I just this waswatercolor paper and I literally just cut it out the size of a standardbusiness card and and then that's just a quick note we should talk about what isa standard business card size so let me get my notes back up or the paper backout here and I'll just jot this down here so what you want to do is when youmake your cards make them for whatever country you're going to mostly be doingyour business in you want to make your cards go in that size so in Canada andin the US so here this there's a standard so US and Canadais going to be 3.
5 inches x 2 inches and that is also known as 89 millimeters x51 millimeters so that is a standard size and the reason I recommend that youuse the standard size is first of all they're less expensive to to buy or tomake but when people get it they'll recognize it like oh that's a businesscard you can also get like for example in the US you can get squares you canget kind of long skinny ones that type of thing but I recommend that you staywith your standard size just because it's it's more recognizable then.
In Australia the standard there is see I've got mynotes here 90 millimeters x a 55 in Japan and you can see that each countrykind of has their own standard of what they're using for their sizes Japan thatthe size is 91 millimeters by 55 millimeters pretty close to Australia inRussia and Israel here Swapna with I guess you know India and Mexico the sizethey're the standard there is 90 millimeters by 50 millimeters and thenin the in Europe and in the UK so pencil this is your size here so UK and WesternEurope the standard business card size is goingto be 85 millimeters by 55 millimeters and again if you go to a local printeror if you have them done you know online then they'll take care of those sizesbut just kind of interesting to see you know what sizes are out there so back tothese little cards so all I did here is I just cut out so I had my business cardand then I just cut out and let me grab my little paper here I just drew with apencil drew along and drew the the size just onthis is just some Arches 140 pound paper.
Okay so and if you don't have a businesscard then you can actually go ahead and measure it out so this is three and ahalf by two inches each of those are three and a half by two so here's astandard business card size there's three and a half by two inches otherwiseknown as 89 by 51 millimeters but you can use you know you can use alltemplates and all that kind of thing and get really fancy with your with yoursizes now there's another way the way that I did it yeah you've got 85 by 30yeah okay so pencil you're gonna need 85 millimeters by 55millimeters you've got 35 right 55 is what you went did I write 35 on yourpaper okay no sorry 85 yeah 85 by 55 is what you'll need pencil okay so so whatyou want to do here is you can do like what I did just for this little demo isI had just some watercolor paper you can see where I cut it right there where isthis guy go like that so I had just a little scrap of watercolor paperand then I cut the shapes out and then did that obviously you're not gonna doit on a scrap because you're gonna give it to someone and you want it to be niceokay good pencil thank you okay and and so what you do is you can just cut thatshape out I just cut it out I drew with a pencil a pencil same pencil I drewjust with a pencil around on the back of the card and I just cut it out with ascissor you can also do if you have a if you've got a what do you call it paperpuncher let me get that okay I got him you can also take these and make alittle if you want to make like a little these are just handy if you want to makelike a gift card include something on a gift just a little punch and then youcan put a ribbon or a string through there and you can write whatever youlike but it's kind of a neat little thing to include something that you madebecause we as artists, we have something that other people don't have, and that'ssome creativity to make something that's beautiful or artful.
People doappreciate getting something from us that is going to be done by hands sothese handmade cards what I did here is I just taped this down and I used thehey Madonna and okay so aren't mistake you've made bookmarks for business cardsthat way they went over quite well and it's just cut in a different size andexactly exactly that's exactly how you do it and so I'm gonna just take thetape off so what I did was this is a masonite board and then I used mywatercolors so let me just grab my watercolors out here and I taped off theedge now you have to decide when you do these if you like the look of a whiteedge I kind of like the look or if you like the look of the thing where thedesign goes all the way to the end if you want it all the way to the end youcan still tape it off and then cut it down to size later but that's just gonnabe a personal decision I personally kind of likelittle edge going here so if I'm doing this now how I would do if I was doing abusiness card or I could even do it as a thank you so let's say that I hadsomebody let's say that I'm gonna write a thank you to Madonna so I would justwrite Thank You Madonna let's say Madonna bought a painting or Madonna didsomething special and when I give them it down a a little extra somethinglittle hello and a little something on something handmade and then I would justgo ahead and sign it but it can be just like a little just as simple as a littlethank-you card you can also you know they can be a little place cards thattype of thing but but when you do it like this let's say I was gonna make mybusiness card like this so I'm gonna make sure to write very legibly and thenI'm gonna say I need to say what it is that I'm doing so I need to say forexample that I am an artist I could say I'm an artist or I'm gonna be morespecific and I'm gonna say contemporary colorist as my paintings all right and so then yeah I'm Madonnayes okay so so let's say then I've got data now what I can't wait I need to puton as I need to put that bare minimum of what we need for a the bare minimum isalways your first and last name and a nickname if you have that your email andyour website now I added on here also a little bit of optional information aboutmy arch that's what this would be the contemporary colorist paintings but Ican put on here then let's say I want to put my email so let me put that on there and then I want to also put my website and again if you do not have a websiteeverybody likely will have an email if you don't have a website yet then whatyou can do is you can put your your Instagram handle your Facebook accountyou could put your YouTube anything like that and yeah so pencil, I foundit by doing that following up with people they seem to really respond tothat another thing that I'll do is and I also have greeting cards I don't Ididn't bring an example of a greeting card here but I am greeting cards madeup with my art and on the inside it's just blank inside and then a lot oftimes I'll write a handwritten note if a collector buys something when thegallery sells paintings for me I typically do not know who buys themthey're just they just tell me well they're sold or whatever I don't everknow so so sometimes I'll know a collector and then I might you know sendthem a note but I'm always careful to not infringe on the gallery because Iit's important that relationship that they have with the client is importantand I don't want to circumvent that but these are for things like let's say Ihave a commission or something like that pencil you're talking about you know ifyou wanted to maybe even get you know draw your or paint your pencil in onyour logo you can do a thing like I did here where I'm just including only youknow just a picture and then something on the back but let me show you what wecan do also like let's say for example you have made a painting and it does adda personal touch and that is I think that what people really respond tobecause once someone has bought your work before they they've done studiesand they say that if someone has bought your paintings before they are 40% more likely and I don't I can't quote the name of the of the study but Ihad heard this I don't know maybe five years ago that people are 40% morelikely to buy your work again and you want to really think about thatonce someone has bought either two or three of your works then you considerthem your collector and so let me show you what you can do this is just alittle a little kind of a little sunflower a very abstract littlesunflower edge I made on here but let's say for example you didn't want tochange you know put anything on the front and you wanted it because maybeit's dark colors and maybe the ink wouldn't show up well or you just didn'twant to disturb it and you wanted to give your collectors may be just a aone-of-a-kind little tiny little painting so what would be very importantis that you sign it so I'm gonna put my regular signature right there just veryvery tiny I'll just put that right up there get your signal right signatureright up there and then on the back you can either write you know thank youor you can write you know your business card information that kind of thing soyou can get all of that detail on a white thing that's easy to read on theback so but maybe you're gonna say you know hey thank you so much you know forthe Commission painting that you that you sent me and this is a little card asa thank-you a little mini painting as a thank-you and I'll just say that theselittle mini paintings you can just kind of do these really rapidly and there area lot of fun if you like to do thumbnail sketches we talked in a previouslivestream about how to do a thumbnail sketch and what's kind of fun aboutthese just these little guys is you can do little compositions and they're justfun and hey if they don't come out well just you know don't use them or throwthem away or you know whatever so alright let me grab my watercolor andI'll just show you how easy it is to just make these little abstract cardsI've got some water let me get these all these other materials out of the way andhere's this is just just a bucket of of water I've got another littlecontainer here and you could use a watercolor pencil,you could use acrylicpaint,you could draw, this could be done in graphite.
How ever you like to do,how ever you wanted to decorate these little thank-you cards or they could bebusiness cards but it's really a marketing material if you think about itit's it's just as simple as that every time that you are doing this you want tokeep it within your brand or keep it doing something that looks like yourwork so for example pencil you'd want to be sure to you know somehow include ifyou can if you're doing a thing something and include your pencil logoor if you're not using your pencil logo then of course don't do that all rightso let me just grab a little green and you can just put and and you know justdo literally abstractly whatever you likelet's activate that I kind of like when watercolor is kind of smushy andinteracts with other things so just something you know boop boop boop boopboop and then that cards done we could do another card I'll just do anothersunflower over here let's get some petals going let's get a dark center.
Let's make this let's make this oneI want to just run the water out here to wet this section but they can beliterally just kind of you know abstract expressionist kind of feelings or youcan spend a lot of a lot of detail and you can really go in and you know makeit super super detailed super you know however you want it to look let's get alittle darker color there and then how about some blue out here I like orangeand blue together and just nice and easy just a little flowy thing I'm gonna cover all my white spots sothank you so when we can just kind of make these you know whatever we knowI'll have a request what do you guys have a request for me to make I'll dolast one we'll do as a request I'll just do a little heart over here but bethinking what you want me to do for that onedon't pick anything that's too hard for me though we don't want to be stressfulon a Sunday, right? All right so let's get but put your idea what you want me to doin this on this last one and I'll paint whatever you guys come up with goodlittle orange there so you've made art trading cards the business card wellthank you and you know Madonna you can see how fast these things are gonna makeI mean they're just like SuperDuper fast you know boom boom boom and you're done all right now let's get a little bit ofa blue now what I'll do then is I'll let these um I'll let these dry and we'lljust do a really watery loose background on this one let these dry and then comeback and when they're dry then um it can release the paper or release the tapearound there okaypaint you I'll paint a pencil okay all right I'll try it I'll try it it's achallenge accepted let's go back in with a little bit onthis red one let's go back just deepen that color a little bit okay pencil I'm gonna try a pencil allright so now you can't tease me pencil if I don't make him well.
I knowhe's got abs remember that and then there's a point here so he needs to comedown into some kind of a point and then there's a tip of the pencil andthen he has a very cute face so he's got a big whoops I need a smaller brush herehe's got like don't worry and I'm running out of papersee I didn't plan out my pencil properly but if I remember he also has like somekind of a pink color I think as I thought there was like his eraser maybethere's like something pinkish up at the top something is there something likewe've got a little something up here for his eraser alright and then what we cando is let's say that this was pencils card then you can just have somethinglike pencil connoisseur let's see how we spell connoisseur see oh and if I spellit wrong I can't do that c o n n o i s s e u r and then you could haveyou know email yes blah blah blah blah blah blah blah and then you know youcould do something like that and you could literally just kind ofmake it whatever you want so so that's how those are done and then when theseare dry then I'll just peel the paper off and then and then it's good to goso alright and then here's again this the example of this so I hope that thishas been um found and helpful and I hope that you guys will go out and make somethese are little gratitude cards I hope that you'll make some gratitude card-will call it a gratitude card- make some gratitude cards and have fun that'sreally just these little quick little things they're just a fun littleexpression and they're a neat way to show your collectors that you careyou're gonna call it the Dena connoisseurI like that pencil I'm gonna put that on here Dena Connoisseur there we goall right you guys well this has been wonderful chatting with you and I hopethat you guys have a great rest of your day and so and go out and get thosecards you know it's it's just a fun thing to do and and and I think yourbusiness will grow with it so thank you so much you guys alright and take careand until next time this is Dena and hugs and kisses too.